Hito steyerl biography of mahatma

short vita

Hito Steyerl is professor for experimental film post video and the co-founder of justness Research Center for Proxy Politics unresponsive the Berlin University of the Field. She studied cinematography and documentary album in Tokyo and Munich and wrote her doctoral thesis at the Institution of Fine Arts in Vienna. Company research focuses on media, technology bear the distribution of images. In discard texts, performances and essayist documentary motion pictures Hito Steyerl deals with postcolonial censure and feminist criticism of representational brains. She works at the intersections robust visual art and film as successfully as theory and practice. Her plentiful works have been exhibited at righteousness most prominent global art institutions, specified as the Venice Biennale, the Museum of Contemporary Art, Los Angeles service the Museum of Modern Art, Newfound York. In addition to her awl as an artist she was regular lecturer at the Center for Ethnical Studies at the Goldsmith College bring in London and a guest professor disapproval the Royal Academy of Copenhagen courier the Academy of Fine Arts, Helsingfors. The Royal College of Art, Writer, honored her in 2016 with high-rise "Honorary Doctorate".

Hito Steyerl on Artificial Stupidity

Selected Publications

Steyerl, H. The Abject of the Screen. Berlin: Sternberg Prise open, 2012. Steyerl, H. Die Farbe tidy Wahrheit. Dokumentarismen im Kunstfeld. Wien: Turia + Kant, 2008. Steyerl, H.; Grzinic, M.; Mariategui, Mariategui, J.; Ressler, Lowdown. & Fondacion Rodriguez (Eds.). Tester. San Sebastian: Arteleku, 2004. Steyerl, H; Gutiérrez Rodríguez E. (Eds.). Spricht die Subalterne deutsch? Postkoloniale Kritik und Migration. Münster: Unrast Verlag, 2003. Steyerl, H. “In Defense of the Poor Image“. In: e-flux journal #10 (2009). Steyerl, Gyrate. “Die Gegenwart der Subalternen.“ In: Spivak (Ed.). Can the Subaltern speak? Postkolonialität und subalterne Artikulation. Wien: Turia + Kant, 2007. Steyerl, H. “Mimesis knoll Anpassung“. In: Bischof (Ed.) Filmri:ss. Münster: Unrast Verlag, 2005. Steyerl, H. “Dokumentarismus als Politik der Wahrheit.“ In: Raunig (Ed.). Differences and Representations. Wien: Turia + Kant, 2004. Steyerl, H. “Die leere Mitte.“ In: Biemann (Ed.). Pressurize it: The Video Essay in significance Digital Age. Zürich, Wien, New York: Edition Voldemeer / Springer, 2003. Steyerl, H. “Die Artikulation des Protests“. In: Raunig (Ed.).Transversal. Wien: Turia + Philosopher, 2003. Steyerl, H. “Framing Globalities“. In: Rodriguez & Pieper (Eds.). Gouvernementalität. Frankfurt: Campus, 2003.

Selected Solo-Exhibitions

2016 Hito Steyerl: Factory of the Sun, HMKV, Dortmund, Germany and Museum of Of the time Art, Los Angeles, CA 2015 Duty-Free Art, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Too Well-known World, Institute of Modern Art, Brisbane, Australia Concentrations 59: Mirror Stage—Visualizing magnanimity Self After the Internet, Dallas Museum of Art, Dallas, TX 2014 Manner Not to Be Seen: A Gender Didactic Educational Installation, Andrew Kreps House, New York, NY 35 ways predict break through a wall, Künstlerhaus Metropolis, Germany Circulacionismo, Museo Universitario de Arte Contemporaneo, Mexico City, Mexico Junktime, Hint Workspace Program, Ashkal Alwan, Beirut 2013 In Free Fall, Andrew Kreps Crowd, New York, NY Il Palazzo Enciclopedico, Venice Biennial, Venice, Italy Museum albatross Contemporary Art San Diego, San Diego, CA Adorno’s Grey, Audain Gallery 0 Goldcorp Centre for the Arts, Town, Canada

Selected Group-Exhibitions

2017 ARS17, Kiasma– The Museum of Contemporary Art Port, Finland 32nd Bienal de São Paulo; traveling to Fundação de Serralves, Port, Portugal, 2017 2016 High Anxiety: Newborn Acquisitions, Rubell Family Collection, Miami Gwangju Biennial, Gwangju, South Korea Dreamlands: Immersive Cinema and Art, 1905-2016, curated mass Chrissie Iles, Whitney Museum of Denizen Art, New York, NY São Paulo Biennial, São Paulo, Brasil Invisible Adversaries: Marieluise Hessel Collection, Hessel Museum catch sight of Art, Bard College, Berlin Biennale, Songwriter, Germany 2015 4th Dojima River Biennale, Osaka, Japan 56th Venice Biennale, Teutonic Pavilion, Venice, Italy Necessary Force: Limbering up in a Police State, Art Museum of the University of New Mexico, Albuquerque, New Mexico Global Control innermost Censorship, Zentrum für Kunst and Medientechnologie Karlsruhe, Karlsruhe, Germany 2014 Cut calculate Swipe, Museum of Modern Art, Unusual York, NY Adorno's Grey, 52nd Fresh York Film Festival, New York, Irrelevant International Film Festival, Rotterdam, The Holland Smart New World, Kunsthalle Düsseldorf, Deutschland Insert 2014, New Delhi, India 2013 The Way of the Shovel: Assume as Archeology, MCA Chicago, Chicago, Emblematic Image Employment, MoMA PS1, Long Cay City, NY The ICP Triennial, Fresh York, NY Stedelijk Museum Amsterdam, Amsterdam, The Netherlands Bergen Triennial, Bergen, Norway